The Parish Church of
All Saints'
Stand, Whitefield
All
Saints Church, Stand was consecrated on 8 September 1826 but an organ was
not installed until late in 1827.
Samuel Renn 1827
Samuel Renn built the two manual and pedal organ, within
an enclosing case in the West Gallery, sufficient in size to carry mainly
congregational singing of the psalms and hymns.
During his working life, Renn built some 60 organs in
Lancashire, 20 in Cheshire, a scattering of 8 in Yorkshire, 6 in
Staffordshire and isolated examples in Lincolnshire, Ireland, the Isle of
Man and Ceylon. This organ was one of his largest and remained in constant
use until 1880.
Frederick Jardine 1880
In 1880 major modifications to the interior of the
church were planned including the removal of the organ from the West
Gallery to its present position in the North Aisle. Georgian box pews were
removed from the Nave and Aisle and the rake of the galleries was
increased. In order to extend the Chancel to accommodate Clergy and Choir
stalls, the altar reredos and vestries were taken out and the altar
repositioned against the East wall.
The organ was enlarged by the Manchester builder, Frederick Jardine,
who added the Choir manual and three stops in the Swell organ. The
original case was reused but with additional flats at each side to fill
the arch opening on the North side. This was a remarkably versatile
instrument which remained in good working order until 1956 when the Parish
made a radical decision to remove both organ and case.
Charles Smethurst 1956
During 1956, Charles Smethurst installed a new organ, using only three
of the Renn stops and four of the Jardine, with a new floor inserted at
Gallery level to carry the instrument, the space beneath being fitted out
as a Lady Chapel.
The organ virtually filled the floor space available, the console was placed in the South Gallery across the Chancel,
although a large instrument it was difficult
to tune and maintain. The
ensemble was somewhat unbalanced and lacking in definition with too many soft stops
and little harmonic development in the Great and Swell choruses, dominated
by the Choir reeds, duplexed on the Pedal organ.
By the mid 1980's many mechanical defects had developed and the electro
pneumatic action was failing, making the organ unreliable.
Early in 1995 it was agreed that the organ must be
inspected and a scheme prepared to rebuild the instrument for its future
role as a liturgical and recital organ.
Nicholson & Co 1996
The Firm of Nicholson & Co. were approached to
carry out a report
and to advise the Parish of the best way forward. Detailed inspection
revealed that Charles Smethurst had based his organ on a 1913 Harrison
& Harrison instrument, from a redundant church, utilising much of the
pipework, soundboards and swell boxes, together with several stops from
the Renn\Jardine instrument - this was a surprising revelation!
Gordon Thorne D.A.(Manc), F.R.I.B.A., formerly Organ
Adviser to Manchester Diocese, acted with the Rector, Canon R.W.Warner,M.A.,
B.D., in agreeing a suitable specification with the tonal Director of
Nicholson & Co., Mr. Dennis Thurlow.
The speech of much of the Harrison pipework had been
altered to suit the blandness of the Smethurst tonal scheme, but Dennis
Thurlow confirmed that he could re-intonate the pipework and re-voice the
reeds to the original output. Extended ranks were removed, the Choir organ
redesigned as an unenclosed division (in the English tradition) and new
mixtures added to the Great and Swell to complete the brilliant choruses
of the ensemble.
On 1 September 1996, the Bishop of Bolton formally
dedicated the organ.

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